Here, the act of walking is a kind of performance in which many different situations converge, both the unexpected and those that are deliberately sought out. These different situations produce various ideas and images that contribute to our sense of place. Walking is a way of searching out new experiences, a way in which to

Steve Schofield is a photographer. His practice explores the fascination that the British public has with American popular culture and the sub-cultural world of fandom. In his growing photographic series Land of the Free, Schofield shows people in their own homes wearing costumes they would dress in to attend events and conventions with other like-minded

The title of Alex Pearl’s exhibition ‘Goodbye to most of the Daydreams’ quotes the words of Antarctic Explorer, Captain Scott, The exhibition explored an imaginary journey to the frozen, windswept continent of Antarctica. However, where Scott would have relished the opportunity to embark on such an adventure, it is likely that artist Alex Pearl would

Jane Edden investigates the interchanges between nature and culture; her work is concerned with the way we perceive nature, particularly birds and how we represent and reference them. During her time in residence at BCA she focused on the birds that she found close to the gallery, primarily pigeons and swans. Although her work is

Lorrice Douglas produces work as if researching for a film or a novel, using a range of media including archive, installation and photography to construct or present a scene.  The scene being staged in ‘The Gatehouse’ references the attic room that Douglas occupied as BCA’s resident artist in 2007.  This piece is typical of Douglas’s

In her new body of work ‘A Glimpse of the Familiar’ produced as part of a residency with BCA Gallery, Joanna Clark has focused her attentions on presenting the various fragments that make up her world. ‘A Glimpse of the Familiar’ includes over 100 quiet, yet evocative images, combining landscape with portraiture, colour and black

As Bedford entered a significant era in its history, with the imminent construction of 19,500 homes and a vast programme of regeneration planned, BCA Gallery in association with Renaissance Bedford commissioned artist Michael Collins to make a series of vast, highly detailed, landscape photographs. The focus of the exhibition was Bedford’s Brickworks, once the largest

Photographer, Darren Marsh uses his art as a means to feed his interest in people, specifically those who share his hometown, Bedford. In this project, with the support of Bedford Creative Arts (BCA) and Renaissance Bedford, Marsh developed a portfolio of over 300 images featuring people of all ages who live in Bedford. In addition

Faye Claridge is an extraordinary artist, using photography and film as her chosen means to freeze her handpicked subjects in time. In this series of work, the subjects depicted are a group of Morris dancers from Bedfordshire. Seated before a painted ‘paradise’ each Morris Man’s pose is defiant yet calm. Contrasting markers of time imbue

Suzanne Mooney’s work reconsiders how we look at the world through representation by exploring the medium and the apparatus of photography itself. The relationship between production, function and mediation of the photographic image is central to her practice. Employing diverse photographic techniques, appropriated images and found objects, Mooney’s work is a conceptual play with the